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- Camera Japan Rotterdam 2026 Review: RHAPSODY, RHAPSODY, A Rom-Com Which Keeps It Real
It's the question which pops up in any interview with a director: "What will your next film be?" It is so common a question that if the mood allows for it, I will add "A romantic comedy perhaps?" and that… Read more » - Sitges 2026 Review: KICK ON, Aussie Survival Thriller Asks, Et Tu, Brute?
Colourful, entertaining, and exuberantly violent, Nick Kozakis’s debut feature makes the most of the geography and the opportunities of its single location to squeeze maximum tension and maximum gore out of its ultra-lean scenario. After running out of coke and… Read more » - SENSE AND SENSIBILITY Review: Too Much Technique, Not Enough Passion
Daisy Edgar-Jones, Esme Creed-Miles, Caitriona Balfe, George MacKay, and Fiona Shaw star in a new adaptation, directed by Georgia Oakley. [Read the whole post on screenanarchy.com...] Read more » - WHALEFALL Review: A Man Trapped Inside A Whale Confronts Mortality And Daddy Issues
There’s something invigorating about a film treating a boldly ridiculous premise with utterly intense sincerity. It’s really the only way to approach a film like Whalefall, which finds its young adult protagonist, Jay (Austin Abrams), trapped in the belly of… Read more » - London 2026 Review: INK, Danny Boyle's Unruly and Troublesome Free Press Polemic
Who freed the press? It's been a democratic right that's built civilisations and chipped away at them when they've crumbled, but in today's age of near-limitless information at the palm of your hand, who were the people who gave it… Read more » - STREET FIGHTER Review: This Is 1993, Baby. It Is What It Is.
Directed by Kitao Sakurai ('Twisted Metal'), the big-screen adaptation stars Andrew Koji, Noah Centineo, and Callina Liang. [Read the whole post on screenanarchy.com...] Read more » - THE ONLY LIVING PICKPOCKET IN NEW YORK Review: John Turturro Steals a Character Study That Doubles as a Crime Drama
Directed by Noah Segan, the film stars John Turturro, Giancarlo Esposito, Will Price, Tatiana Maslany, Victoria Moroles, and Steve Buscemi. [Read the whole post on screenanarchy.com...] Read more » - New York 2026 Review: A MAN OF HIS TIME, Timely and Sad Tale of Moral Compromises and Banality of Evil
In September of 1940, Henri Marre (Swann Arlaud), a writer, engineer, and a man of great ambition, arrives in the Vichy France, controlled by the Nazi collaborator, Philippe Pétain. Even though Henri despises the current state of affairs, his aspirations,… Read more » - YOU CAN SEE EVERYTHING Review: A Dizzying, Revolutionary Doc That Challenges The Integrity Of The Form
One of the first related searches that Google offers up when you type in the title of anarchist/documentarian/comedian Nathan Fielder’s latest project is, “Is You Can See Everything a real documentary?”. That is a question that will roll around in… Read more » - New York 2026 Review: ARTIFICIAL Doesn't Make a Bigger Splash
The NYFF premiere of Luca Guadagnino ‘s Artificial, which is set for a theatrical release in December, comes one year after the NYFF premiere of the director’s previous live-action feature, After the Hunt. Unlike the previous film, which was highly… Read more » - MUSK Review: Must-See Doc That Sadly Will Go Mostly Unseen
At 12:01 p.m. on January 20th, 2029, the 48th president of the United States will be sworn into office. His name — because more likely than not, the next president will be a “he” — will not be Donald… Read more » - CRYSTAL LAKE Review: Prequel Series is a Slow-Burn Crime Drama That Doesn't Skimp on Slasher Violence
One year after her young son's tragic drowning, a grieving single mother's dark past is unearthed by two strangers, triggering a disturbing chain of events that reveals the terrifying origins of a horror legend. [Read the whole post on screenanarchy.com...] Read more » - BOORMAN AND THE DEVIL Review: Riveting Reassessment of a Hysterically Hated Horror
David Kittredge's studious and fair cinematic essay on 'Exorcist II: The Heretic' is a witty raconteur of a documentary. [Read the whole post on screenanarchy.com...] Read more » - OTHER MOMMY Review: Horror Version of SCENES FROM A MARRIAGE No One Really Wanted
Seven-year-old Bela (Arabella Olivia Clark) lives with her mother, Ursula (Jessica Chastain), and her father, Russell (Jay Duplass), who love each other very much. At least, that’s what the girl is planning to say in her introduction speech at her… Read more » - London 2026 Review: MAKING MARIE ANTOINETTE, The Godmother of the Making-Of Doc Bids a Moving Farewell
Eleanor Coppola's kind-hearted chronicle of her daughter Sofia's epic is a delightful swansong. [Read the whole post on screenanarchy.com...] Read more » - TENZING Review: Necessary, If Hagiographic, Corrective to Cultural History
When newspapers, radio stations, and television news programs reported the first successful summit of Mt. Everest on May 29th, 1953, Edmund “Ed” Hilary, a New Zealand member of a spring expedition organized by the British, received prime, sometimes sole credit… Read more » - V/H/S/MIXTAPE Review: The Kills Keep on Coming
Halloween is creeping up, which means a new V/H/S is landing on Shudder today, just in time for some post-trick-or-treat trauma. Since the series’ resurrection, V/H/S has largely traded its loose narrative throughline for an annual theme, and while the… Read more » - New York 2026 Review: THE DREAMED ADVENTURE, Once Upon a Time in Bulgaria
A middle-aged man, Said (Syuleyman Alilov Letifov), comes back to his small Bulgarian hometown, situated not far from the borders of both Turkey and Greece. He is here to conduct some shady deal involving diesel fuel, but when his car… Read more » - New York 2026 Review: 9 TEMPLES TO HEAVEN, Obtaining Merits
Apichatpong Weerasethakul's long time assistant director, Sompot Chidgasornpongse, makes a directorial debut. [Read the whole post on screenanarchy.com...] Read more » - New York 2026 Review: AT NIGHT, The Great Equalizer
Beatrice Gibson's feature debut is a beauty to behold. [Read the whole post on screenanarchy.com...] Read more »
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